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8 January 1836 – 25 June 1912. Most renowned painters.

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Oostsanen, Jacob Cornelisz van
Tryptych with the Adoration of the Magi, Donors, and Saints

ID: 19677

Oostsanen, Jacob Cornelisz van Tryptych with the Adoration of the Magi, Donors, and Saints
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Oostsanen, Jacob Cornelisz van Tryptych with the Adoration of the Magi, Donors, and Saints


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Oostsanen, Jacob Cornelisz van

Flemish, 1472-1533  Related Paintings of Oostsanen, Jacob Cornelisz van :. | Self-Portrait | Tryptych with the Adoration of the Magi, Donors, and Saints | Christ Appearing to Mary Magdalen as a Gardener | Christ Appearing to Mary Magdalen as a Gardener | Saul and the Witch of Endor |
Related Artists:
Johannes Cornelisz Verspronck
(between 1600 and 1603, Haarlem - buried June 30, 1662, Haarlem) was a gifted Dutch Golden Age portraitist. He was the son of the painter Cornelis Engelsz from Gouda, who taught him to paint portraits. In 1632 he became a member of the Haarlem Guild of St. Luke and started a successful career as a portraitist of mostly Catholic sitters in Haarlem. He may have been a Frans Hals pupil, and was strongly influenced by him, especially in his natural expressions and relaxed poses. He is best known for his exactness in painting details such as jewelry and lace, which made him quite popular with female sitters. Most notably, he won a lucrative commission in 1642 for a group portrait of the regentesses of the St. Elisabeth Gasthuis, at the time the wealthiest charity institution in Haarlem. This was won at the expense of Frans Hals himself, who had painted the regents of the St. Elisabeth Gasthuis in 1641 and fully expected to win the commission for the women.
Samuel Palmer
1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
Per Eskilson
Sweden (1820 -1872 ) - Painter






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